Hello! I am not able to show what I'm working on, as they are Christmas gifts and I'm not going to be the one who blows the surprise! But, I thought today would be a good time to post how I mount sanded paper to a support board.
Mounting it isn't something that has to be done, as sanded papers are usually heavy enough to stand alone. I get mine in rolls, which lead to the problem of curled paper. Not good! I am currently using UART in 600 grit, and I very much like this paper. Has lots of grit but doesn't seem to eat my pastels as badly as papers with heavier grit. It handles wet underpainting well and getting a roll was more economical than sheets. And, its just fun to have a half acre of paper, just waiting for me!
First, figure out what you want to mount to. I won't use products that aren't acid free, so I won't mention that at every turn today, just know, its all acid free. So that said, you can use foam board, mat board, or mount board. I chose foam board today. I also chose to use grafix double tack film. I also got my brayer and some black tape.
This piece will be 16x20, so I cut my UART to a size a bit larger, so I have space to scribble, try out colors, edges of sticks, etc. I must have scribble space! Then I cut the tack film to size of the UART, and the foam board is a tad larger on all sides. I start by making pencil lines where the paper will go, then peel up one corner of the tack film, (its got slick papers on either side of the film). and smooth-smooth-smooth all the way across the foam board, rubbing with my hand, only peeling as much as I can smooth at one time. At this point, I have a foam board with a tacky sheet on it, with a slick sheet still on top. I now peel the top slick sheet, just a corner, and line up the UART and start peeling and rubbing down just like before. Ta-da! A mounted piece of sanded paper.
Next, I have started using that black tape to mark my borders. It makes it easier for me to judge the composition this way, otherwise I seem to just keep going, then when I trim the paper to frame later, sometimes the design suffers as I now have cut off part of the painting. This black tape fixes that problem. I can take it off or leave it as its acid free. (yes, I said it again!) I run the tape about 1/4 inch outside my border.
Ready to paint! I put it on my main easel, using some cheapo (not acid free!) wide masking tape at the top corners, and a small clamp at the bottom. The large white board is my drawing board, I made that with foam board on top of luan board, then painted it with floor finish poly so tape won't rip it. I did this so I dont' have to keep adjusting my easel height--now I just tape/clip where I want the paper. and sometimes I work big enough to cover that whole drawing board. I also like my little quotes where I can see them. Have a Great week!
Mostly Art, Some Farm Life, and a Little bit of Family-- by Pastel Chris (aka CM Cernetisch)
Showing posts with label bay. Show all posts
Showing posts with label bay. Show all posts
Sunday, December 14, 2014
Wednesday, September 17, 2014
Rena the Bay Mare
I recently had the pleasure of painting Rena, an endurance horse owned by Debra J., from MN. If I remember correctly, Rena was a rescue horse, who had some issues that were tough to overcome, but look at her now! A beautiful deep bay with sparkling eyes! Thank you Ms. Debra for the honor of painting this lovely mare!
Here's the start, on a piece of chocolate brown Colorfix paper. I transferred my sketch, added a deep background with blues, browns and purples. I hit the highlights and areas where her coat is the most rich in color. And tagged on her tail, which she often has flipped to this side, love a mare with some 'tude!
Here's a close up of her face, almost done. I went back in and worked her eyes a bit more, adding some sparkle.
And the (almost)final. I went back once more and added some definition around her muzzle, and yet again, didn't take another photo. ugh, I would love to quit making that mistake!! This painting has since made it to Debra, who was pleased. Can I paint your critter? Paintings are easy to ship and I've never heard anyone claim buyer's remorse from getting original artwork!!
Here's the start, on a piece of chocolate brown Colorfix paper. I transferred my sketch, added a deep background with blues, browns and purples. I hit the highlights and areas where her coat is the most rich in color. And tagged on her tail, which she often has flipped to this side, love a mare with some 'tude!
Here's a close up of her face, almost done. I went back in and worked her eyes a bit more, adding some sparkle.
And the (almost)final. I went back once more and added some definition around her muzzle, and yet again, didn't take another photo. ugh, I would love to quit making that mistake!! This painting has since made it to Debra, who was pleased. Can I paint your critter? Paintings are easy to ship and I've never heard anyone claim buyer's remorse from getting original artwork!!
Tuesday, August 26, 2014
Rena's Ready!
This mare is a real lovely lady from Minnesota. Her name is Rena and her owner is Deb, and they do long distance riding. Deb sent me photos to work from and with those and her input, I created this portrait. Its 16x20 on dark brown sanded paper.
Here's the block in---The outline is there, the highlights are there, and a hint of the background. Just to mention, this is the second time I started this. The first start was all wrong. and I just couldn't ignore it and move on, it had to get fixed. So I washed it down with mineral spirits, creating part of the dark background Deb had asked for. then re-sketched Rena and this time, it was right.
here's a close up of her lovely deep eyes. IRL (in real life) the eye is much more dark, guess I'll never make a good photographer!
The finished Rena, and will be on her way to Deb very soon!
Here's the block in---The outline is there, the highlights are there, and a hint of the background. Just to mention, this is the second time I started this. The first start was all wrong. and I just couldn't ignore it and move on, it had to get fixed. So I washed it down with mineral spirits, creating part of the dark background Deb had asked for. then re-sketched Rena and this time, it was right.
here's a close up of her lovely deep eyes. IRL (in real life) the eye is much more dark, guess I'll never make a good photographer!
The finished Rena, and will be on her way to Deb very soon!
Subscribe to:
Posts (Atom)